![]() Plan a date with your partner, and act like you’re meeting up with your lover, while you both (pretend to) leave your partners at home. Men, try going commando, and just unzip your jeans! (That’s a lot hotter than leaving your socks on, isn’t it?) “Doing the opposite of what you usually do can feel exciting,” she says. Juliana Morris suggests leaving something on-from a fierce pair of heels to a sweet string of pearls-getting almost naked can bring out your sexy side. You’re probably used to taking it all off when you have sex, but relationship sexpert Dr. As Nelly says, "It's gettin' hot in herre, so take off all your clothes." (Or not! According to tip number one!) Keep your clothes on. We put together a list of expert-and reader-approved-sex tips that people say have helped them spice things up. But when things get a bit monotonous in the boudoir, it is possible to spice things up. The singer ended up hitting it off so well with Gerwig that she appears in the film as Mermaid Barbie.There comes in a time in any relationship, regardless of how happy you both are, that the sex component can take a dip-whether it's hormonal, stress-related, or you've just been with the same partner for so long that no amount of pillow talk or date nights will make you want to get intimate. Lipa was Ronson’s first choice to write the lyrics and “give it an identity and a presence,” he says. Instead, he wrote something that he describes as “definitely disco and you can groove to it, and it’s definitely gold and sequin-y, but it’s got a really tough driving thing to it.” It didn’t take long for Gerwig to text back “like, you know, seven pink heart emojis,” with a message that she loved the song. “Because it’s Barbie, the instinct is to go to something a little Euro and sugary, and that’s just never what I do,” he says. To get Ronson into the right headspace, Gerwig made him a playlist full of disco, obscure Broadway tracks, and light, catchy music he’s dubbed “Peloton pop.” Production was set to begin in just two weeks, so Ronson put together a song without any lyrics that he titled “Tastes Like Barbie” and sent it off to Gerwig. His first task: write a dance track so catchy it could carry a whole scene in the film. He’s so hot, but can’t get the time of day.” It felt a little bit emo, like, this poor guy. “I instantly had this idea for this lyric: ‘I’m just Ken / Anywhere else I’d be a 10.’ It just seemed funny. “You really fall in love with this hapless, but immediately sympathetic figure,” Ronson says. ![]() ![]() When the seven-time Grammy winner first read Greta Gerwig and Noah Baumbach’s Barbie script, he immediately connected with the Ken they’d written for Ryan Gosling to play. ![]() “I haven’t been back in my studio in a while, so they’re still here,” Ronson says as one smiles at me from the edge of the Zoom screen. He was standing in the aisles of Toys “R” Us one morning, buying up Barbies for his studio, when he realized, “You cannot find a Ken doll for love nor money in any Toys ‘R’ Us, because nobody gives a shit about buying a Ken doll.” So he texted Mattel CEO Ynon Kreiz, who had a few of the plastic hunks sent over. It wasn’t long after Mark Ronson signed on to executive produce the Barbie soundtrack that he learned the first lesson of living in the doll’s candy-coated world.
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